All Out in the Open by Charalampos Tzanakis

Review: All Out in the Open by Charalampos Tzanakis

Review by Nicholas Alexander Hayes

“About twenty years ago, I stole a translation of Jean Cocteau’s The White Book because the owner was homophobic. I suppose I believe (or at least hope) books find the right readers.”

Twenty Stories Cover Art

More Than “Flyover Country”: Jack Driscoll’s Twenty Stories

Review by Al Dickenson

“The lyricism of Driscoll’s writing is a trait that brings the reader into the stories: when reading, you feel as though you are standing on the porch or sitting in the fishing boat, hanging on every word the characters say, as you feel not for them, but with them.”

Island Weather Cover

Observational Anti-aphorisms: Chelsea Tadeyeske’s Island Weather

Review by Peter Burzyński

Chelsea Tadeyeske is the progenitor of a type of anti-aphoristic aphorisms that are at first glance disparate thoughts strung together, but ultimately are deep, cutting, and brilliant interconnected jibes that paralyze and, paradoxically, entice.

Blur Cover Art

Little (Flash) Plays: Blur by Dan Crawley

Review by Valerie Fox

The flash fictions in Dan Crawley’s latest collection, Blur, seamlessly go back and forth between his characters’ pasts and presents, between calm and storm.

Cardboard Clouds cover

“The Curtain Does Not Draw”: Surrealism and Metafiction in Benjamin Niespodziany’s Cardboard Clouds

Review by Peter Kline

“Benjamin Niespodziany’s ambitious and engaging new collection of prose poems, Cardboard Clouds, ushers readers into a world of madcap theater and casual danger where the curtain might rise on all manner of weather and monsters and fantastical impossibilities. “

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All Out in the Open by Charalampos Tzanakis

Review: All Out in the Open by Charalampos Tzanakis

Review by Nicholas Alexander Hayes

“About twenty years ago, I stole a translation of Jean Cocteau’s The White Book because the owner was homophobic. I suppose I believe (or at least hope) books find the right readers.”

Twenty Stories Cover Art

More Than “Flyover Country”: Jack Driscoll’s Twenty Stories

Review by Al Dickenson

“The lyricism of Driscoll’s writing is a trait that brings the reader into the stories: when reading, you feel as though you are standing on the porch or sitting in the fishing boat, hanging on every word the characters say, as you feel not for them, but with them.”

Island Weather Cover

Observational Anti-aphorisms: Chelsea Tadeyeske’s Island Weather

Review by Peter Burzyński

Chelsea Tadeyeske is the progenitor of a type of anti-aphoristic aphorisms that are at first glance disparate thoughts strung together, but ultimately are deep, cutting, and brilliant interconnected jibes that paralyze and, paradoxically, entice.

Blur Cover Art

Little (Flash) Plays: Blur by Dan Crawley

Review by Valerie Fox

The flash fictions in Dan Crawley’s latest collection, Blur, seamlessly go back and forth between his characters’ pasts and presents, between calm and storm.

Cardboard Clouds cover

“The Curtain Does Not Draw”: Surrealism and Metafiction in Benjamin Niespodziany’s Cardboard Clouds

Review by Peter Kline

“Benjamin Niespodziany’s ambitious and engaging new collection of prose poems, Cardboard Clouds, ushers readers into a world of madcap theater and casual danger where the curtain might rise on all manner of weather and monsters and fantastical impossibilities. “

small mammals cover art

Review: small mammals by Cati Porter

Review by Penelope Moffet

“The poems of small mammals are so well-crafted the craft is nearly invisible; while highly polished, they have not been polished to death.”

House Parties Cover art

Intricate Spaces: A Book Review of House Parties

Review by Valerie Fox

Lynn Levin, accomplished and prolific poet and translator of poetry, has brought her refined aesthetic to House Parties, her debut short fiction collection. As in her poems, she develops characters through distinctive voices and reveals insights by vivid imagery.

New Voices: Contemporary Writers Confronting the Holocaust cover art

Review: Contemporary Writers Confronting the Holocaust

Review by John Brantingham

“The idea behind the book is that it is not enough simply to not forget the Holocaust. We must learn from it.”

Earth angel cover art

Review: Earth Angel by Madeline Cash

Review by Alex Carrigan

In her debut short story collection Earth Angel (CLASH Books, April 2023), Madeline Cash presents sixteen stories that attempt to digest the absurdity and cynicism of late millennials and early zoomers into bite-sized archives of rote human experiences.

The Hyakunin Isshu: A Hundred Poems by A Hundred Poets

Kokoro and the Endurance of the Human Spirit: The Hyakunin Isshu

By Wally Swist

The Hyakunin Isshu can be translated as “one hundred poets (or people), one poem.” It is one of the several venerable anthologies of Japanese poetry. The Hyakunin was compiled by Fujiwara no Teika (1162-1241), and the first full-color edition was published in 1775.

On The Hoof cover art

On the Hoof: Traversing the Country and the Mind via the Human-Animal Bond

Review by Al Dickenson

On the Hoof also provides a glimpse into the past, where travelers would ride their horses across great distances for adventure, prosperity, and to test their endurance.”

Virga

Review: Virga by Shin Yu Pai

Review by H. V. Cramond

“The porousness and openness of Pai’s poems, their eternal present, reads not as an avoidance or a fuzzy, COVID decimated sense of time brought on by endless time online. Rather this opening is way of protection through integration.”

Gash Atlas cover art

Review: Gash Atlas by Jessica Lawson

Review by Alex Carrigan

It’s fairly safe to say that Christopher Columbus ruined the world. The voyage to the New World resulted in colonization, slave trading, and various crimes against humanity that were glossed over when presenting Columbus as this great navigator and adventurer.

Baby is a Thing Best Whispered cover art

Review: Baby is a Thing Best Whispered by Keely O’Shaughnessy

Review by Keith J. Powell

Baby is a Thing Best Whispered, the debut collection of flash fiction from Keely O’Shaughnessy, is twenty-two concise tales of frayed familial bonds and bruised but resilient outsiders who really aren’t interested in your pity.

Bicycles of the Gods Book Cover

Review: Bicycles of the Gods: A Divine Comedy by Michael Simms

Review by Wally Swist

Early on in reading Michael Simms’ new novel, Bicycles of the Gods: A Divine Comedy, I heard a tone so distinct that I realized I hadn’t heard in years– that being one of true satire.

How to Make Paper When the World is Ending Book Cover

Review: How to Make Paper When the World is Ending by Dallas Woodburn

Review by Keith J. Powell

In her new collection, author Dallas Woodburn pairs intimate stories with clever structures to explore grief, ghosts, and how to make do with the pieces still available to us.

Dear Ted Cover Art

Review: Dear Ted by Kim Vodicka

Review by Alex Carrigan

The fascination Americans have with serial killers is at multiple times fascinating, haunting, and strangely comical.

Cover of The Poetry of Diane Frank: Poetic Dynamism, Higher Consciousness, and the Lyric Voice

While Listening to the Enigma Variations: New and Selected Poems by Diane Frank

Review by Wally Swist

Poetic Dynamism, Higher Consciousness, and the Lyric Voice

In considering Diane Frank’s most recent publication, While Listening to the Enigma Variations: New and Selected Poems, what may be most ostensible is not just this poet’s irrepressible lyricism but an imagistic lyricism embedded with what Robert Bly called “the deep image.”

Bind yourself to us with your impossible voice, your voice! sole soother of this vile despair.

—Arthur Rimbaud, “Phrases

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