Juan José Saer
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Issue 29 | Fall 2023

Issue 29 brings flirty game wardens, nuns in a cavern, mysterious transmissions, the world’s youngest knife thrower, the names of Argentina’s rivers, streams, and lakes, the fountain of youth, gray dawns, and ferocious appetites. It’s about war, lies and misinformation, languages and language, erasures, brutal occupations, bad reasons for enlisting, and signs that refract so deeply we can’t trace their path back to the world. It’s about sinister radio signals from the fillings in your teeth or maybe over there among the trees.

Includes new work by James Nulick, Mary Burger, Denis Tricoche, Yuliia Iliukha and Hanna Leliv, John Gu, Iliana Vargas, Lena Greenberg, and Michelle Mirabella, Kelly Krumrie, Juan José Saer and Will Noah, Afsana Begum and Rifat Munim, Michael Loyd Gray, William M. McIntosh, Laura Zapico, Stella Vinitchi Radulescu and Domnica Radulescu, Skye Gilkerson, Adam Day, Ariana Den Bleyker, Justin Vicari, Rebecca Macijeski, Cletus Crow, and Ayshia Müezzin.

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Autumn

Juan José Saer
Translated by Will Noah

“In its essence, toponymy represents the first verbal constellation to spread over the tortuous surface of the universe, verbal projectiles that are launched by man’s codified breath and become lodged not in places themselves but in the maps that serve as their emblems.”

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Bind yourself to us with your impossible voice, your voice! sole soother of this vile despair.

—Arthur Rimbaud, “Phrases

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