Arisa White is a Cave Canem fellow, an MFA graduate from the University of Massachusetts, Amherst, and is the author of the chapbooks Disposition for Shininess and Post Pardon, as well as the full-length collections Hurrah’s Nest and A Penny Saved. Her debut collection, Hurrah’s Nest, was nominated for a 44th NAACP Image Award and is a finalist for the 82nd California Book Awards. Co-editor for HER KIND, an online literary community powered by VIDA: Women in Literary Arts, and the editorial manager for Dance Studio Life magazine, Arisa has received residencies, fellowships, or scholarships from Port Townsend Writers’ Conference, Rose O’Neill Literary House, Squaw Valley Community of Writers, Hedgebrook, Atlantic Center for the Arts, Prague Summer Program, Fine Arts Work Center, and Bread Loaf Writers’ Conference. Nominated for a Pushcart Prize in 2005, her poetry has been widely published and is featured on the recording WORD with the Jessica Jones Quartet. Arisa is a native New Yorker, living in Oakland, CA, with her partner. For more information visit arisawhite.com or facebook.com/Arisapage.
Will Alexander astounds. Prolific beyond any easily understandable degree, poems, plays, novels, philosophical tracts, and artwork endlessly pour forth from him—I even recently witnessed him play piano in a San Francisco performance with the Cloud Shepherd ensemble accompanied by jazz violinist India Cooke. At the piano, Alexander was by no means stellar, but he was competent. His apparently unbounded energy and enthusiasm for truly multi-galactic expression is spread throughout all of his writing. Infectious is one word to describe how it feels to read his work. This newly-published collection of wide ranging material showcases his critical reflections. Read More
A product of American Bottom, an Illinois floodplain across the Mississippi from St. Louis, Steve Davenport is the author of two poetry collections: Overpass (2012) and Uncontainable Noise (2006). His poems, stories, and essays have been anthologized, reprinted, and published in scores of literary magazines both on-line and in print. A recent story in The Southern Review received a 2011 Pushcart Prize Special Mention.
Daniel Borzutzky is the author of The Book of Interfering Bodies (2011), The Ecstasy of Capitulation (2007), and Arbitrary Tales (2005). His translations include Raúl Zurita’s Song for his Disappeared Love (2010) and Jaime Luis Huenún’s Port Trakl (2008). His work has been anthologized in, among others, A Best of Fence: The First Nine Years (Fence Books), Seriously Funny (University of Georgia Press, 2010), and Malditos Latinos Malditos Sudacas: Poesia Iberoamericana Made in USA (El billar de Lucrecia, 2010). Journal publications include BOMB, Fence, Denver Quarterly, Conjunctions, Chicago Review, TriQuarterly, and many others. Chapbooks include Failure in the Imagination (2007) and One Size Fits All (2009). His poems have been translated into Spanish, Bulgarian, French, and Turkish. He lives in Chicago.
Joe Wenderoth was cut out of porous rock in the rain while electricity surged. The result was incredible—what wonderful eyes! Then things slowly but surely got worse.